{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk : musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"Irish Times","author_name":"benjicok","width":"480","height":"315","url":"https:\/\/bjork.fr\/irish-times-6-mars","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/irish-times-6-mars'\u003EIrish Times\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EShe is on show at MoMA in New York, and her new album, \u2018Vulnicura\u2019, pushes at the sonic boundary, but for Bj\u00f6rk it\u2019s all about the song \n\u003Cbr class='autobr' \/\u003E\n Bj\u00f6rk has an appointment to keep a few hours after we speak. She\u2019s due at the Museum of Modern Art in New York to discuss some aspects of the museum\u2019s forthcoming exhibition of her work. By the numbers, that\u2019s the stuff of 20 years and eight albums, distilled into five gallery rooms. Bj\u00f6rk says she was surprised and nonplussed when she was first (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}