{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"PSN Europe","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/psn-europe-january-2020","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/psn-europe-january-2020'\u003EPSN Europe\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EFOH engineer John Gale, Southby Productions director Chris Jones and d&amp;b audiotechnik\u2019s Steve Jones about the d&amp;b Soundscape system at the heart of the show and how this project has tested them like no other\u2026 \n\u003Cbr class='autobr' \/\u003E\n [...] When we did New York and Mexico the whole show was 360o, but when we went to the larger arenas for various reasons we used a 180 system, so I had to adapt the show from 360 to 180 for this particular run,&#8221; Gale continues. &#8220;It\u2019ll probably go back to 360 for future runs,&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}