{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"reactions to the soundtrack","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/reactions-to-the-soundtrack","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/reactions-to-the-soundtrack'\u003Ereactions to the soundtrack\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAt this stage in your career, are you concerned at all by critical reactions to your albums&nbsp;? You\u2019ve reached a status where records will sell regardless of any in-print negativity, that much\u2019s obvious, but on a personal, artist level, have you ever been affected by anything written about one\/some of your past albums&nbsp;? Although it\u2019s not a solo album in a strict sense, the Drawing Restraint 9 soundtrack album (of 2005) was met with a rather mixed reception, for example\u2026 \n\u003Cbr class='autobr' \/\u003E\nWith Drawing&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}