{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"spin.com","author_name":"benjicok","width":"480","height":"315","url":"https:\/\/bjork.fr\/spin-com-6-fevrier","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/spin-com-6-fevrier'\u003Espin.com\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EA stagehand moving an iPad is maybe the funniest thing you\u2019ll see at a rock show all year. \n\u003Cbr class='autobr' \/\u003E\n As far as I know, Bj\u00f6rk hasn\u2019t made an instantly hummable song since 120 Minutes went off the air. So now her life is, justifiably, the indieverse\u2019s \"important artist,\" the 800-pound swan in the room, a dreamer and doer of grand gestures, a mix between Amelie and Terrence Malick who gets to vacillate between whimsical and batshit and genius and hilarious and goofy and awesome. The first night of her&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}