{"version":"1.0","type":"rich","provider_name":"Bj\u00f6rk.fr \u2013 Site francophone d\u00e9di\u00e9 \u00e0 Bj\u00f6rk&nbsp;: musique, clips et actualit\u00e9s","provider_url":"https:\/\/www.bjork.fr","title":"the Sho","author_name":"","width":"480","height":"315","url":"https:\/\/bjork.fr\/the-Sho,3106","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/bjork.fr\/the-Sho,3106'\u003Ethe Sho\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EIt\u2019s a very peculiar instrument, because it only has 15 notes. It\u2019s very tricky to play, and for purely aesthetic reasons, it\u2019s shaped a bit like your hands if you put them like this [makes praying gesture] . It fits in with the \u2019restraint\u2019 theme of the album title very nicely, actually. After I met Mayumi, I had about two months to write for her. So it was a lot of research, a lot of Google. \n\u003Cbr class='autobr' \/\u003E\n Did she have a go on the sho herself&nbsp;?  \n\u003Cbr class='autobr' \/\u003E\nWell, I asked Mayumi, but she looked at me like, are&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}