- Ancestors
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos de Medúlla
- Björk à propos du titre
- Björk à propos du titre Ancestors
- Björk à propos du titre Ancestors
- Björk à propos du titre Desired Constellation
- Björk à propos du titre Miðvikudags
- Björk à propos du titre Oceania
- Björk à propos du titre Oceania
- Björk à propos du titre Öll Birtan
- Björk à propos du titre Pleasure Is All Mine
- Björk à propos du titre Show Me Forgiveness
- Björk à propos du titre Sonnets / Unrealities XI
- Björk à propos du titre Submarine
- Björk à propos du titre Triumph Of A Heart
- Björk à propos du titre Vökuró
- Björk à propos du titre Vökuró
- Björk à propos du titre Where Is The Line ?
- Björk à propos du titre Who Is It
- Björk au sujet de Robert Wyatt
- Bogdan Raczynski à propos du titre Who Is It
- choosing collaborators
- collaborations
- creating now she wanted to do before
- Desired Constellation
- Desired Constellation
- dowing two albums in a row
- encouraging the other artists
- going back in time
- guest-artists
- inspiration
- ll Birtan
- Matmos à propos du titre Mouth’s Cradle
- Medulla being physical
- Medulla being pop music
- Medúllas character
- Mike Pattons growling on Where is the line
- Miðvikudags
- Mouth’s cradle
- Mouths Cradle
- Mouths Cradle
- no instruments
- noises
- Oceania
- Oceania
- Oceania
- Oceania
- Oceania
- operatic songs
- Pleasure is all mine
- recording all over the world
- refusing to be categorized
- religion and patriotism
- removing instruments
- removing instruments
- Show me Forgiveness
- Show me forgiveness
- Sonnets / Unrealities XI
- Sonnets/Unrealities XI
- Submarine
- the character Medúlla
- the effect of pregnancy
- the inspiration for Medúlla
- the instrument she knows best
- the microphone she used
- the mood of the album
- the mood of the album
- The Pleasure Is All Mine
- the quest for love
- the word Medulla
- throat singing
- touring Medúlla
- Triumph of a Heart
- Triumph of a Heart
- using real drums
- using the Inuit choir again
- using voices
- visuals for the album
- vocals
- voices
- Vökuró
- wanting Beyoncé on Medúlla
- what Medúlla is
- Where is the line
- Where is the line
- Where is the Line
- Who is it
- Who is it
- Who is it
- why she chose vocals-only
- working more with voices in the future
- working on the next album immediately
- working with vocalists
- working without instruments
the effect of pregnancy
How did having Isadora affect how you make music ?
[Chuckles] I don’t know if you’ve ever had to deal with pregnancy, breastfeeding and female hormones during pregnancy, but I became a librarian of my music when I was pregnant and for the year [following Isadora’s birth]. I decided to archive stuff. I had put it off for forever, and I was getting a lot of pissed-off people nagging me about it. I listened to all my live shows and picked the best versions. That took a while, like half a year. I also listened to all of my b-sides and alternate recordings—I knew I could be the only one to do it.
You sound like you got pretty organized.
I did. [Giggles] I was putting everything in alphabetical order, cleaning up my attic. I’m not an organized person, but somehow pregnancy made me become that way.
Was this album a response to all of that ?
When I started doing this album, I felt like I was holding my breath for a long time and I just wanted to just go, go, go. You know, fuck the librarian that I had become and just have fun.
instinct magazine, September 1st 2004